July 21, 2015

Pop Stoppage Series: "pole_#281"

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Soda bottle labels and acrylic on paper, 11” x 17”
Posted by Mark Roth at 03:11 AM

July 20, 2015

The Tumbleweed Paintings: "red_#48"

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acrylic on magazine page, 11” x 14”
Posted by Mark Roth at 01:49 PM

July 19, 2015

On Top of Spectre Mountain at Adjacent to Life

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Tinsquo's curatorial project, Adjacent To Life, presents On Top of Spectre Mountain: The Cyanotypes of Michaela Coffield.

The artist writes,

Spectre Mountain is an independent ecosystem with vast mountain ranges connecting sea, cave systems, and looming icebergs. Humans have not set foot on Spectre Mountain for centuries but the ghostly landscape can be seen on moonlit nights through a powerful enough telescope."

On Top of Spectre Mountain: The Cyanotypes of Michaela Coffield runs through August 28 and is on view at the Adjacent to Life pop-up gallery housed in Ninth Street Espresso (341 E. 10th Street at Ave B, New York City).

Posted by Mark Roth at 12:13 AM

July 12, 2015

"generic degenerate"

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acrylic on magazine page, 10.75" x 8.25"
Posted by Mark Roth at 01:21 PM

July 04, 2015

Pop Stoppage Series: "rotto_#280"

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Soda bottle labels and acrylic on paper, 11” x 17”
Posted by Mark Roth at 10:44 PM

July 01, 2015

May and June's Acrylic Palettes

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Posted by Mark Roth at 02:01 AM

June 27, 2015

The Tumbleweed Paintings: "scrambled_#47"

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acrylic on magazine page, 11” x 14”
Posted by Mark Roth at 01:46 AM

June 21, 2015

Pocket Retrospective at Adjacent To Life

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Tinsquo's curatorial project, Adjacent To Life, presents Pocket Retrospective: The Postcards of James Himber's Legascenic View.

For years the Ninth Street Espresso on 9th and Ave C served as a second studio for painter James Himber. An iconic, beloved and modest presence, most days he could be found ensconced at the corner table painting watercolors, sketching or working his way through John Richardson’s multivolume Picasso biography.

The intensity of his focus was palpable – as though Painting for him was a matter of life and death. Sadly this literally was the case. His adoption of Ninth Street as a second studio was the result of a terminal medical diagnosis and the consequent commitment to use his remaining life energy in the service of Painting. For five years he toiled with death as a rapidly advancing certainty.

On June 21st last year he passed away.

From a formal painting perspective, his work explores the vexing fluidity of the line between abstraction and naturalistic depiction. Seated in symbolic and/or surrealistic narratives, his subject matter is that of a freewheeling revelation of psychological dilemmas that endeavor to place himself and the viewer in a challenging, often discomfiting position. James put it this way: “Art is where intellectualism ends and emotionalism begins.”

At one point, as part of his art practice - and life’s assessment - he began printing postcards of his paintings. He would carry this collection with him – a retrospective companion, a measure of progress and documentation of a life’s investment.

This show presents some of those postcards.

In the final year of his life his work was recognized and actively championed by Saatchi Art Online. As such, a good bit of his final life force was spent deaccessioning scores of paintings from his studio to points all around the globe. He considered this concluding act of aesthetic disbursement to be his painting legacy.

He is missed.

Pocket Retrospective: The Postcards of James Himber’s Legascenic View runs through July 17 and is on view at the Adjacent to Life pop-up gallery housed in Ninth Street Espresso (341 E. 10th Street at Ave B, New York City).

image: James Himber, Woman in Red Dress and Polka Dot Scarf, oil on canvas, 48” x 38”
Posted by Mark Roth at 06:12 PM

June 18, 2015

"battlefield demotee"

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graphite on paper, 11" x 8"
Posted by Mark Roth at 12:05 AM

June 14, 2015

Pop Stoppage Series: "pier_#279

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Soda bottle labels and acrylic on paper, 11” x 17”
Posted by Mark Roth at 11:53 PM

June 07, 2015

Missing the Megafauna: Diprotodon optatum

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acrylic on canvas, 16" x 20"
Posted by Mark Roth at 04:56 PM

June 01, 2015

The Tumbleweed Paintings: "shot_#45"

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acrylic on magazine page, 11” x 14”
Posted by Mark Roth at 12:27 PM

May 29, 2015

Analog AR: "snapshot"

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collage, 14" x 10"
Posted by Mark Roth at 02:03 PM

May 16, 2015

Places In Time at Adjacent To Life

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Tinsquo's curatorial project, Adjacent To Life, presents Places In Time: Paintings by Kori Burkholder.

Places In Time runs through June 19 at the Adjacent to Life pop-up gallery housed in Ninth Street Espresso (341 E. 10th Street at Ave B, NYC). A reception for the artist will be held Friday May 29, 6:30-8:00pm.

image: Kori Burkholder, Avenue C, acrylic on canvas
Posted by Mark Roth at 10:05 PM

May 09, 2015

Pop Stoppage Series: "spilling_#278"

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Soda bottle labels and acrylic on paper, 11” x 17”
Posted by Mark Roth at 11:00 PM

May 03, 2015

March and April's Acrylic Palettes

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Posted by Mark Roth at 07:22 PM