November 27, 2014
Analog AR: "face"
November 21, 2014
Pop Stoppage Series: "photo_#272"
November 17, 2014
Aspiration at Adjacent to Life
past future past: the East Village 1978-1980 features images from Mr. Edwards' recent book of the same title. The works document the eye of an "entranced" young photographer, serving as a harbinger of the artist who would emerge and a record of an iconic era of the East Village.
His newest and ongoing body of work, The Tension of Reflexive Identity, finds the photographer performatively shooting consecutive shots of 35mm film that together form a single image exploring notions of identity and the transcending or maintenance of boundaries.
Aspiration is Mr. Edwards third show at the Adjacent to Life pop-up gallery in Ninth Street Espresso (341 E. 10th Street at Ave B, New York City). It runs through December 19.
November 08, 2014
The Tumbleweed Paintings: "rippling_#32"
November 01, 2014
September and October's Acrylic Palettes
October 26, 2014
Analog AR: "bob"
October 21, 2014
Pop Stoppage Series: "veering_#270"
October 18, 2014
The Tumbleweed Paintings: "shirtsleeves_#31"
October 11, 2014
Urban Extracts at Adjacent to Life
Matthew Borenstein's photographs are a meditation on the beauty and transience of materiality. Shadows and raking light assume the solidity of architecture while projecting a destiny of increasingly acute angles, twilight and the promise of tomorrow.
Urban Extracts runs through November 14 at the Adjacent to Life pop-up gallery housed in Ninth Street Espresso (341 E. 10th Street at Ave B, NYC).
October 03, 2014
Analog AR: "roll"
September 23, 2014
Pop Stoppage Series: "drowned_#269"
September 19, 2014
The Tumbleweed Paintings: "nine_#30"
September 15, 2014
Missing the Megafauna: Cave Bear (Ursus spelaeus) 2
September 13, 2014
Remade Readymades: "creek"
September 06, 2014
Pop Stoppage Series: "days_#268"
September 01, 2014
July and August's Acrylic Palettes
August 30, 2014
Traces at Adjacent to Life
Absence fills Kaitlin Pomerantz's paintings, implying tales, lives and loves removed, relocated or forgotten. What remains is an arena of opaque nostalgia that also reveals a witty parallel narrative of Painting's resilience. With earnest irony, Pomerantz's act of painting a vacated picture asserts Painting's continued, albeit problematized, mysterious power: absence becomes a presence.
Traces runs through October 10 at the Adjacent to Life pop-up gallery housed in Ninth Street Espresso (341 E. 10th Street at Ave B, NYC).