June 01, 2013

Righteous Gangsters

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Tinsquo's curatorial project, Adjacent To Life, presents Righteous Gangsters: The Fingerprint Art of Jennifer Hannaford.

Hannaford’s production includes a wide range of subjects (her friends in the Bureau are partial to the John Dillinger part of the spectrum). But it is the equalizing humanity of the mugshot that ultimately fascinates Hannaford. As she says, mugshots

“capture the individual in a most vulnerable moment, unscripted and beyond choice. While these images are necessary for documentation for criminal records, they reveal more. An entire range of unmasked emotions is accessible. Some images depict the individual not wanting to be arrested and booked for their actions, while others depict one taking that risk to make a statement.”.

An artist’s gestures and method of paint-handling constitute a kind of signature. Hannaford literalizes this evidence of the artist’s hand in a way that would hold up in court – by using her own fingerprint.

She has a Masters in Forensic Science and has processed crime scenes and conducted latent print comparisons for the Oakland Police Department, the State of Vermont, the City of Boston, New York and other agencies throughout the country.

Righteous Gangsters presents a selection of individuals whose entanglement with the law raise issues of conscience, artistic freedom and the obsession with celebrity. Lenny Bruce and Lili St. Cyr ran afoul of the law in pursuit of creative expression, Civil Rights Freedom Rider Margaret Leonard was fighting for justice and Jim Morrison could be viewed as having being arrested for the crime of being famous.

By definition of her professional responsibilities, Hannaford brings a level of attention to the environment that enables her to see things that elude most of us. This is at play in her use of the fingerprint as drawing tool – it allows her to highlight and “explore the blur between the easily discernible and the nearly invisible.”

Assuring due process, she is the master of the positive ID.

The show, Righteous Gangsters: The Fingerprint Art of Jennifer Hannaford resides at the Adjacent to Life pop-up gallery housed in Ninth Street Espresso (341 E. 10th Street at Ave B).

image: by Jennifer Hannaford, Lili St. Cyr, 40” x 30” archival print, edition of 25.
Posted by Mark Roth at 02:02 PM

May 26, 2013

Pop Stoppage Series: "unkind_#251"

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Hand torn soda bottle labels and acrylic on paper, 11” x 17”
Posted by Mark Roth at 02:59 PM

May 10, 2013

"grisaille mask"

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acrylic on magazine page, 11.5" x 9"
Posted by Mark Roth at 04:52 PM

May 01, 2013

March and April's Acrylic Palettes

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Posted by Mark Roth at 11:02 PM

April 20, 2013

Missing The Magafauna: Elasmotherium sibiricum

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acrylic on canvas, 16" x 20"
Posted by Mark Roth at 04:15 PM

April 14, 2013

Pop Stoppage Series: "measured_#250"

measured_250.jpg
Hand torn soda bottle labels and acrylic on paper, 11” x 17”
Posted by Mark Roth at 10:39 PM

April 10, 2013

Downstate

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Adjacent to Life, Tinsquo's curatorial project, presents Downstate: Photographs by Jeb Allred.

Without drawing a distinction, Allred’s work wavers between contemplation and isolation.

You can find the installation at Adjacent to Life, Tinsquo's pop-up gallery currently housed at Ninth Street Espresso (341 E. 10th Street at Ave B). It's on view through May 17.

image: Jeb Allred, no title, 16" x 20", resin coated print, shot with Leica film camera.
Posted by Mark Roth at 10:01 PM

April 06, 2013

"superhero"

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acrylic on magazine page, 11" x 8.5"
Posted by Mark Roth at 04:52 PM